Narsiso Martinez was born in Oaxaca, Mexico and migrated to the United States at the age of 20. Martinez currently lives and works in Long Beach. Because of Martinez’s experience working in the agricultural fields, his work is about farm workers. This work has been exhibited at the Rialti Art Center, Daegu, South Korea, the Box Gallery in South Florida, in California at the CSULB University Art Museum, Angels Gate Cultural Center, LA Municipal Art Gallery, Collective Arts Incubator, LA National Immigration Law Center, and many more. Martinez completed the ESL, GED, and high school program at Evans Community Adult School in Los Angeles, California (2006). Martinez holds hold an AA from Los Angeles City College (2009), a BFA (2012) and an MFA (2018) from CSU Long Beach, Martinez has been awarded the Dedalus Foundation MFA Fellowship (2018), the LA Emerging Artist Rema Hort Mann Foundation Grant (2019), and the 2019 Stanley Hollander Award.
Interview with local artist Narsiso Martinez.
shot, edited, & directed by
SUTTON YORK
produced by
BRANDIE DAVISON
ArtNotAds began as a desire to highlight the incredible art scene in Long Beach, especially our local artists of color. It led us to rethink how the media uses digital space and who gets to claim that space.
For over 100 years, advertisements
have dominated these spaces and
polluted our psyche. From newspapers and magazines, to radio and television,
and finally to the internet—
ads are created to monetize our attention.
For journalists, this influence can be
even more corrupting. When corporate advertisers hold financial leverage over media, it places ratings over ethics and clicks above the public interest.
Locally, businesses can boycott media for running stories critical of the status quo, shutting publications down overnight by pulling ad support.
We built an ad-free, free-to-read media
organization from the ground up,
so that we would never have to share space on our website with advertisers,
and never have to cede space
to corporate bullies.
ArtNotAds is the next step in our
independent model. Where other
outlets might display ads, our website
will display local art by local artists.
To bring this idea to life, we are
collaborating with Long Beach artist
collective ART REALM.
They will curate some of the best talent
our city has to offer, and each month
we will publish an interview with a new artist, whose artwork will appear across our website instead of the advertisements that traditionally litter other media platforms.
ArtNotAds began as a desire to highlight
the incredible art scene in Long Beach,
especially our local artists of color.
It led us to rethink how the media uses
digital space and who gets to claim that space.
For over 100 years, advertisements
have dominated these spaces and
polluted our psyche. From newspapers and
magazines, to radio and television,
and finally to the internet—
ads are created to monetize our attention.
For journalists, this influence can be
even more corrupting. When corporate advertisers
hold financial leverage over media, it places ratings over ethics and clicks above the public interest.
Locally, businesses can boycott media for
running stories critical of the status quo,
shutting publications down overnight
by pulling ad support.
We built an ad-free, non-commercial media
organization from the ground up,
so that we would never have to share space
on our website with advertisers,
and never have to cede space
to corporate bullies.
ArtNotAds is the next step in our
independent model. Where other
outlets might display ads, our website
will display local art by local artists.
To bring this idea to life, we are
collaborating with Long Beach artist
collective ART REALM.
They will curate some of the best talent
our city has to offer, and each month
we will publish an interview with a new artist,
whose artwork will appear across our website instead of the advertisements that traditionally litter other media platforms.
Tomisin Oluwole is a literary and visual artist whose primary mediums include poetry, painting, and fashion. Born and raised in Lagos, Nigeria, Tomisin moved to Long Beach in 2015 to study Fashion and is currently obtaining her Masters in Linguistics while also pursuing her creative interests. As a multidisciplinary artist, Tomisin is constantly inspired as well as fascinated by the abstract and by ideas that indirectly evoke feelings of self. It is this underlying theme of self and the various aspects of oneself that tends to inform many of her works.
Interview with local visual artist Tomisin Oluwole.
shot, edited, & directed by
SUTTON YORK
produced by
BRANDIE DAVISON
Jason “JP” Pereira is a muralist and designer of Samoan descent. As a kid he found inspiration in his father’s architectural work and discovered his love for island culture during the summers he spent in American Samoa, attending cultural art workshops. As a teen and into adulthood, his creative interests gravitated towards graffiti art, but has always carried the artistry of his Pacific Island culture with him. He is currently the artist-in-residence at the Pacific Island Ethnic Art Museum in downtown Long Beach.
Interview with local muralist and graphic artist Jason “JP” Pereira.
shot, edited, & directed by
SUTTON YORK
produced by
BRANDIE DAVISON
LaJon Miller has been drawing since he was four years old, sitting in front of the television and drawing scenes from old Looney Tunes, Tom and Jerry, and Popeye cartoons. He eventually obtained a degree in 3D animation before receiving formal art training from an experienced watercolor and oil painting master based in Glendale. Over the last several years, LaJon has been exploring and mixing different paint mediums, crossing over from spray paint to acrylics, as well as combining watercolor, ink, and acrylic paint. Most recently, he’s been expanding into murals, completing public artwork that’s displayed in and around the Long Beach area.
Interview with local painter LaJon Miller.
shot & edited by
SUTTON YORK
directed by
BRANDIE DAVISON
Michaela Reed, who goes by SoulFull, is a photographer and visual artist from North Long Beach whose inspiration comes from the plethora of rich cultures around her. Utilizing both analog filmstock and digital media, SoulFull shoots photos that channel feelings of nostalgia for a bygone era, while capturing the youth and unique identities of her subjects. She is the author of Things You Need to See – A Book of Inspiration, a compilation of her photos, along with poetry from various poets.
Interview with local photographer SoulFull.
shot & edited by
SANTIAGO CHARBONEAU
directed by
BRANDIE DAVISON
Carmel Katumba—also known as THEZONKYGIRL—is a Congolese painter, visual designer, and DJ based in Long Beach. Drawing inspiration from her upbringing in the DRC, her signature style is marked by brightly-colored abstract portraiture, primarily using acrylic and collaging on canvas. THEZONKYGIRL’s mission is to encourage everyone to embrace their own individuality, just as she has learned during her time in Long Beach.
Interview with local painter THEZONKYGIRL.
shot & edited by
SUTTON YORK
directed by
BRANDIE DAVISON
Tidawhitney Lek (she/her) is a Cambodian-American painter born and raised in Long Beach. Her work plays with narrative and the experiences of first-generation Asian-Americans. These bright and somber paintings present nuances of domesticity, with figures and hands interacting in composition as the cultural elements of the Southeast-Asian diaspora echo through everyday objects. She reinvents the traditional and conventional mediums of pastel, acrylic, and oil paints on canvas, interchanging textures as pictorial spaces recede and soften.
Interview with local painter Tidawhitney Lek.
shot & edited by
SANTIAGO CHARBONEAU
music by
BOOTLEG ORCHESTRA
Gloria “Gem” Sanchez is a Pinay/Xicana artist and educator who works in painting, weaving, sculpture, and mixed media. Many of her recent works merge sculpture, painting, and weaving to transpose symbols she learned growing up within a hybrid, culturally blended environment. Her intentions come from a place of decolonization, as well as transcending the effects of intergenerational trauma and marginalization by preserving family histories.
Interview with local artist and educator Gloria Sanchez.
directed by
BRANDIE DAVISON
shot & edited by
SUTTON YORK
Goldby7 is the brainchild of videographer, photographer, and creative director Bayo Morgan, who captures attention-grabbing visuals through videos and photographs that tell stories reflective of genuine LA lifestyles. Born in South Central and raised in Long Beach, 28-year-old Morgan has shot for popular up-and-coming Long Beach artists including HeyDeon, Giveon, and Tempest. He’s also worked with more established artists like Airplane James and Curren$y.
Interview with Bayo Morgan, owner and operator of Goldby7.
directed by
BRANDIE DAVISON
shot & edited by
SANTIAGO CHARBONEAU
additional footage by
BAYO MORGAN
music by
LEOTA
Jairus was 10 years old when he relocated with his family to Long Beach. The Grammy award-winning multi-instrumentalist has worked with the likes of Prince, Anderson .Paak, and Ledisi. He recently released San Pedro, an EP inspired by the tide pools on the other side of the Vincent Thomas Bridge.
Interview with musician Jairus Mozee.
interview by
BRANDIE DAVISON
photos by
SANTIAGO CHARBONEAU
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[1] Militarily demobilized. Since WWII—which was both the death knell of European colonial empires as well as the starting shot of the American neocolonial era—Europe has had notoriously scant standing armies, and has been able to consistently slash government military spending domestically and as a percentage of their contributions to international diplomatic bodies such as the UN. This is because nowadays European nations very rarely find themselves in situations where they need to independently send their militaries abroad in order to secure trade routes, foreign resources, or privileges within markets overseas; the U.S. has been fulfilling that hard-power obligation for them for over half a century. The social results of Western Europe’s decreased militarization are striking, especially when contrasted with the U.S.: there is not a single country in Western Europe without universal healthcare, labor rights and welfare systems are strong, value is placed on corporate and financial regulation, environmental policy is lightyears ahead, and, not least of all, there is a robust governmental approach to curbing digital surveillance and reining in tech monopolies. Japan enjoys a similar arrangement with the U.S. in which it, too, is militarily demobilized yet is given full access to, and prominence in, the global economy. In the last decade there has been a reversing trend of remilitarization in some of these nations. That trend was hastened during the last four years as a result of Trump’s ultranationalist politics, but is likely to continue even after his departure in large part due to the growing bipolar geopolitical climate of competition between superpowers.
The “owner” bit of home-“owner” appears in scare quotes throughout the text for reasons that will shortly become apparent.
Nothing signals trouble quite like consensus.
More on them later.
And, anyways, what exactly remains “obvious” in an era “post-truth”?
I take as my starting position that even the “obvious” must be won.
It’s like Lenin said, you know…
Whether directly, or through a chain of investments, or through the wider speculative market in real estate.
I use “banks” in this piece as a stand-in for several sources of income that derive partly through the mortgaging of property and/or investment in institutions that have the power to mortgage property.
That is just its “ideology.”
The Ricardian “law of rent” explains that any location with an advantage over another location, can accrue an economic value, called “rent,” to the owner.
This happens without the owner needing to pitch in to create the advantage.
If the owner does pitch in, then the value accrued from that advantage cannot be called “rent.”
“Rent,” in economic terms, is only, precisely, the value accrued from that portion of the advantage for which the owner is not responsible. That is what we mean when we say, “Rent is theft.”
This does not mean places with lower property taxes ipso facto have higher property prices—and that is because the property tax is only one of the contributing factors. You could have zero taxes on land in Antarctica, for instance, and it would still sell for $0. This is why the introduction to the analogy controls for such variables.
This is the logical conclusion of believing two premises:
(1) All humans have an equal right to the Earth.
(2) Vaginal birth is a lottery system
Prop 13 is rent control for home-“owners.” You can learn more about its history and impact here.
“Hamlet” by William Shakespeare. Act 4, Scene 5
This is why the lobbyists who spend the most money to support the mortgage interest deduction are bankers, mortgagers, and realtors.
Definition