REVIEW: Saint Shivers Steps Out of the Darkness with New EP

The band’s recent releases explore themes of breaking free of expectations while we’re all trapped indoors

4 minute read

“Now the world’s a little older / but it’s just the same.”

—Saint Shivers, “Mr. Jones”

After months of planning back in late 2019, Saint Shivers made a music video and started preparing their debut EP release show for this spring. 

Then came March 19, the day the music died—at least live music—and like so many bands, they put everything on pause and waited. 

But with so much uncertainty in the air, they’ve decided to just unleash the music video, along with their first EP “Saint Shivers I.”

“I feel like we probably aren’t going to play this year,” songwriter and guitarist Kelsey Landazuri said. “So there’s no point waiting a long time.”

On April 24, the gang released the music video for “Mr. Jones,” a deceitfully upbeat tune that tells the story of the moment when someone realizes that they don’t have control over their choices. Outside forces—which there seems to be a ton of right now—may cloud one’s judgement, the music video implies, and could lead to some risky territory.

Saint Shivers’ music is at once nostalgic, while feeling like a fresh take on Western blues that echoes the sounds of ZZ Top, Don McLean, and The Black Keys. The band is Landazuri, bassist Michael Williams, and drummer Brian Newhard. 

Landazuri wrote, produced, and directed the music video for Mr. Jones, which came together in classic DIY style: a small crew of friends with a small budget shot it over two days, in the backyard of WARGIRL’s Matt Wignall. Landazuri describes it as Spaghetti Western meets surrealistic short film meets vaudeville. 

There’s a lone traveler, bandits, a queen, a sword fight, and several murders in the span of three and a half minutes.

Tomisin Oluwole
Ode to Pink II, 2020
Acrylic and marker on paper
14 x 22 inches

Click here to check out our interview with Tomisin Oluwole, a a literary and visual artist based in Long Beach.

Instead of gunking up our site with ads, we use this space to display and promote the work of local artists.

“The lyrics of the song are about everyone being just a piece of the puzzle, or a baby, or a prisoner falling back in line,” said Landazuri.

She finds inspiration for songs from riddles like this, usually when she’s driving to or from work. Simple and full of depth, the rolling guitars blend just right with the band’s collective croons. But the lyrics soar above every element of the melody. 

“The song is sort of happy but the lyrics aren’t if you pay attention to them,” she said. “The music I gravitate towards … the lyrics have a twist on them that really makes you think.” 

“Mr. Jones” is the follow-up to a similarly melancholic Saint Shivers track “Bloodline,” released on Bandcamp in the Fall of 2018. 

Both songs, plus four new tracks, can be found on their new EP “Saint Shivers I.” 

Photo by Madison D’Ornellas

Opening with “Bloodline,” the record begins with a sorrowful tone, full of regret but sprinkled with hope, helped along with a groovy baseline and catchy storytelling from Landazuri’s eager lyrics like, “And I say to you now ‘What would I be / if I again stumbled in your mountains, and tossed across your sea?’”

Followed by the dancy “Honest Woman” and “Mr. Jones,” tracks with heavier sounds like “Holy Water” and “Fences” push Saint Shivers’ rock ‘n’ roll tone more towards psychedelic rock and Britpop.

The EP is a kind of one-way conversation with something or someone, begging for answers to questions that go unspoken, while returning to memories of ideas of what was lost and found in the narrator’s past, with each song moving closer to the emotional peak in “Holy Water.” Landazuri’s voice actually gets louder, more sinister than what we hear throughout the rest of the record.

But like its beginning, “Saint Shivers I” ends with the folky “Adeleen,” with lyrics asking us to take pause, reflect, and “pick yourself up off the floor, and the clothes that you once wore / It was just some lonely pastime in this town.” Equipped with Dylan-esque harmonica playing, the usual rolling drums stop and the guitars slow at the coda, returning us to the ending of the first track. 

Saint Shivers’ m.o. seems to be that they’re “lost in the darkness,” but the band is able to thread joy into their tunes, like remembering moments you keep of someone from your past. 

You can purchase “Saint Shivers I” on the trio’s Bandcamp page.

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[1] Militarily demobilized. Since WWII—which was both the death knell of European colonial empires as well as the starting shot of the American neocolonial era—Europe has had notoriously scant standing armies, and has been able to consistently slash government military spending domestically and as a percentage of their contributions to international diplomatic bodies such as the UN. This is because nowadays European nations very rarely find themselves in situations where they need to independently send their militaries abroad in order to secure trade routes, foreign resources, or privileges within markets overseas; the U.S. has been fulfilling that hard-power obligation for them for over half a century. The social results of Western Europe’s decreased militarization are striking, especially when contrasted with the U.S.: there is not a single country in Western Europe without universal healthcare, labor rights and welfare systems are strong, value is placed on corporate and financial regulation, environmental policy is lightyears ahead, and, not least of all, there is a robust governmental approach to curbing digital surveillance and reining in tech monopolies. Japan enjoys a similar arrangement with the U.S. in which it, too, is militarily demobilized yet is given full access to, and prominence in, the global economy. In the last decade there has been a reversing trend of remilitarization in some of these nations. That trend was hastened during the last four years as a result of Trump’s ultranationalist politics, but is likely to continue even after his departure in large part due to the growing bipolar geopolitical climate of competition between superpowers.

The “owner” bit of home-“owner” appears in scare quotes throughout the text for reasons that will shortly become apparent.

Nothing signals trouble quite like consensus.

More on them later.

And, anyways, what exactly remains “obvious” in an era “post-truth”?

I take as my starting position that even the “obvious” must be won.

It’s like Lenin said, you know…

Whether directly, or through a chain of investments, or through the wider speculative market in real estate.

I use “banks” in this piece as a stand-in for several sources of income that derive partly through the mortgaging of property and/or investment in institutions that have the power to mortgage property.

That is just its “ideology.”

The Ricardian “law of rent” explains that any location with an advantage over another location, can accrue an economic value, called “rent,” to the owner.

This happens without the owner needing to pitch in to create the advantage.

If the owner does pitch in, then the value accrued from that advantage cannot be called “rent.”

“Rent,” in economic terms, is only, precisely, the value accrued from that portion of the advantage for which the owner is not responsible. That is what we mean when we say, “Rent is theft.”

This does not mean places with lower property taxes ipso facto have higher property prices—and that is because the property tax is only one of the contributing factors. You could have zero taxes on land in Antarctica, for instance, and it would still sell for $0. This is why the introduction to the analogy controls for such variables.

This is the logical conclusion of believing two premises:

(1) All humans have an equal right to the Earth.
(2) Vaginal birth is a lottery system

Prop 13 is rent control for home-“owners.” You can learn more about its history and impact here.

“Hamlet” by William Shakespeare. Act 4, Scene 5

This is why the lobbyists who spend the most money to support the mortgage interest deduction are bankers, mortgagers, and realtors.

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